Psychological Aesthetics: Painting, Feeling, and Making Sense

Capa
Jessica Kingsley Publishers, 01/01/2001 - 157 páginas
An introduction to the field of psychological aesthetics for art educators, art therapists, psychoanalysts, artists and art lovers, this book re-evaluates conventional philosophical and psychoanalytic approaches to aesthetic qualities themselves, to the kinds of psychological significance they can generate, and to the interweaving of inner and outer realities upon which this depends. Art history tends to see an artist's work in the context of their life and times; psychoanalysis and art therapy tend to see art works in terms of an unconscious' meaning that is beneath the surface of its aesthetic' properties, within the context of the therapeutic relationship. Maclagan draws attention to the intimate connections between the aesthetic qualities of an art work per se, felt out in its material handling, be they attractive, disconcerting or just bland, and a wide range of psychological meanings. Drawing on phenomenology and archetypal psychology, as well as on neglected writers on unconcious aspects of form, Psychological Aesthetics: Painting, Feeling and Making Sense explores this realm of feeling, the different ways in which it is embodied in art and how we can use subjective' strategies to articulate it in words. It will open new perspectives in understanding both the processes of art making and our creative response to its results.
 

Índice

Acknowledgements
6
The Rise and Fall of the Aesthetic
17
The Split between Inner and Outer
33
From Iconography to Embodiment
47
From Inarticulate to Aesthetic Form
61
Aesthetics Beauty and Soul
71
Art Therapy and the Therapy of Art
81
Towards a New Psychological Aesthetics
99
Putting Aesthetic and Psychological
111
Conclusion
129
References
145
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Referências a este livro

Art Therapy
David Edwards
Pré-visualização limitada - 2004
Art History: The Basics
Grant Pooke,Diana Newall
Pré-visualização indisponível - 2008
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Acerca do autor (2001)

David Maclagan is an artist, art therapist and lecturer. He directed an MA at the Centre for Psychotherapeutic Studies, University of Sheffield and is also involved with the Art Psychotherapy training there. He has published numerous articles on Outsider Art, art therapy and imaginal psychology, and is the author of Creation Myths.

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