The Hidden Book in the Bible

Capa
HarperCollins, 22/09/1998 - 416 páginas
Renowned biblical sleuth and scholar Richard Elliott Friedman, author of Who Wrote the Bible?, reveals for the first time his most startling and revolutionary discovery: embedded within the Bible is a continuous narrative that had been sliced apart by ancient editors who interlaced it with other stories, laws, and poetry. It is a singular work of genius, the core of the Bible. Across three millennia, this great work of prose comes back to us--pieced together as it was originally meant to be read--in a fresh and powerful translation.

In recent years, Harold Bloom's The Book of J and Friedman's own Who Wrote the Bible? have made the short work called J known to the public. But in The Hidden Book in the Bible Friedman presents his landmark discovery that "J is not a work. It is the beginning section of a work: a long, exquisitely connected prose composition full of artistry and power."

Using a creative blend of scholarship and detective work, Friedman has joined together this story from the dawn of written history, and what emerges is astonishing. Far from a primitive first attempt atr writing, it is an exciting and complex saga, a passionate work of love, deception, war, and redemption. Readers will experience the story that has not been read as a single continuous narrative for almost three millennia.

Friedman begins by leading the readers through the exciting story of his discovery of this hidden work. He marshals the evidence, showing how a unique use of language and themes--from the two cases of the famous "coat of many colors" to all nine references to Sheol (the place of the dead), and from incidents of sibling rivalry to sexual violation--recur in a connected way in certain parts of hte Bible but nowhere else. Friedman dramatically illustrates how these clues establish a singular author's voice guiding more of the Bible than was ever previously suspected.

Friedman presents the work itself in a bold translation that is remarkable faithful to the original. It begins with a well-known tale of the deity's creation of a paradise that goes wrong and then conveys a sweep of history, telling the story of a family through twelve generations: a story of deception and recompense, of powerful loves and sibling rivalries, of wars and spies. The family becomes a nation, the nation finds a ruling family, and they find their way to peace. The author of this saga crafts a compelling and densely woven tale of family struggles, bitter betrayal, and, finally, the birth of a great kingdom under Solomon, the son of David.

This work, says Friedman, is a treasure. It became the core of the Bible and the beginning of prose literature. Readers now have the opportunity to see the first great prose writer's full achievement: an epic work of the struggle between God and human, and between good and bad. The Hidden Book in the Bible will forever change the way we regard the Bible. "Exciting, provocative, ambitious yet reverent," says Donald Spoto, "Friedman's latest book is, as usual, grounded in impeccable scholarship."

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Acerca do autor (1998)

RICHARD ELLIOTT FRIEDMAN is one of the premier bible scholars in the country. He earned his doctorate at Harvard and was a visiting fellow at Oxford and Cambridge, a Senior Fellow of the American Schools of Oriental Research in Jerusalem, and a Visiting Professor at the University of Haifa. He is the Ann & Jay Davis Professor of Jewish Studies at the University of Georgia and the Katzin Professor of Jewish Civilization Emeritus of the University of California, San Diego. He is the author of Commentary on the Torah, The Disappearance of God, The Hidden Book in the Bible, The Bible with Sources Revealed, The Bible Now, The Exile and Biblical Narrative, the bestselling Who Wrote the Bible?, and most recently, The Exodus. He was an American Council of Learned Societies Fellow and was elected to membership in The Biblical Colloquium. His books have been translated into Hebrew, German, Italian, Spanish, Russian, Japanese, Polish, Hungarian, Dutch, Portuguese, Czech, Turkish, Korean, and French. He was a consultant for the Dreamworks film The Prince of Egypt, for Alice Hoffman's The Dovekeepers, and for NBC, A&E, PBS, and Nova.

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