 | Harvard University - 1910 - 944 páginas
...century) ; the Tomb of Duke Henry the Lion and his Wife in the Cathedral of Braunschweig (13th century); the Tomb of St. Aurelia in the monastery of St. Emmeran at Regensburg (14th century) ; the Toiub of Emperor Ludwig, the Bavarian, in the Church of Our Lady lit Munich (about... | |
 | Lancashire and Cheshire Antiquarian Society - 1886 - 332 páginas
...immediate ancestor of the flat iron. These mullers, or smoothers, were in use for centuries, probably from the end of the fifteenth to the end of the eighteenth, and must have been in common usage throughout that period. It is a singular fact that they are now... | |
 | Harvard University - 1904 - 452 páginas
...from Naumburg cathedral, including the whole of the rood screen and eleven of the masterly portrait statues of princely patrons and patronesses. The fourteenth...of St. Aurelia in the monastery of St. Emmeran at Eegensburg. The rest of the collection brings out the development of German sculpture from the end... | |
 | Harvard University - 1904 - 938 páginas
...from Naumhurg cathedral, including the whole of the rood screen and eleven of the masterly portrait statues of princely patrons and patronesses. The fourteenth...art: the tomb of St. Aurelia in the monastery of St. Kmmeran at Regensburg. The rest of the collection brings out the development of German sculpture from... | |
 | Harvard University - 1910 - 936 páginas
...century) ; the Tomb of Duke Henry the Lion and his Wife in the Cathedral of Braunschweig (13th century); the Tomb of St. Aurelia in the monastery of St. Emmeran at Regensburg (14th century) ; the Tomb of Emperor Ludwig, the Bavarian, in the Church of Our Lady at Munich (about... | |
 | Harvard University - 1912 - 40 páginas
...from Naumberg cathedral, including the whole of the rood screen and eleven of the masterly portrait statues of princely patrons and patronesses. The fourteenth...sculpture from the end of the fifteenth to the end of the nineteenth century. Among the most important objects from this period contained in the Museum may be... | |
 | 1871 - 712 páginas
...1809; vol.ii, 1870,) has been completed by the publication of the second volume. It embraces the period from the end of the fifteenth to the end of the eighteenth century. The author has used a large number of sources, especially such as are written in the Czechic language,... | |
 | Harvard University - 1915 - 212 páginas
...century) ; The Tomb of Duke Henry the Lion and his Wife in the Cathedral of Braunschweig (13th century) ; the Tomb of St. Aurelia in the monastery of St. Emmeran at Regensburg (14th century) ; the Tomb of Emperor Ludwig, the Bavarian, in the Church of Our Lady at Munich (about... | |
 | Kuno Francke - 1922 - 92 páginas
...thirteenth century and the beginning of the fourteenth, played an important part in Zurich history. The TOMB OF ST. AURELIA IN THE MONASTERY OF ST. EMMERAN AT RATISBON is a good instance of the tendency of fourteenth century art toward life-likeness of expression... | |
 | Arthur James Grant, Harold William Vazeille Temperley - 1927 - 616 páginas
...had been wearing very thin for some time ; they now disappeared from the world even as an aspiration. From the end of the fifteenth to the end of the eighteenth century we have to look to solitary thinkers — to Sir Thomas More and Rabelais, to Sully and Leibnitz and... | |
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Naumburg cathedral, including the whole of the rood screen and eleven of the masterly ix>rtrait statues of princely patrons and patronesses. The fourteenth century is represented by only one work of art : the tomb of St. Aurelia in the monastery of St.... 
