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Memoirs of the life of John Philip Kemble, esq: including a ..., Volume 1
Visualização integral - 1825
acted actor actress admired allowed amusement appearance attended audience beautiful benefit better boxes brought called certainly character close comedy course Covent Garden critic delight display doubt drama Drury Lane effect equal excellent exhibited expected expression father feeling Garrick gave genius give given grace greatest Hamlet hand honour hope interest Kemble Kemble's kind King Lady lived look Lord manager manner means mind Miss nature never night notice object occasion once opened opera original passed passion perfect performance perhaps person piece play present produced reader received remember respect scene season seemed seen Shakspeare Sheridan Siddons speak spirit stage studies success talent taste theatre thing thought tion took tragedy usual whole writer written young
Página 370 - twere with a defeated joy, With one auspicious and one dropping eye, With mirth in funeral and with dirge in marriage, In equal scale weighing delight and dole...
Página 58 - I have of late— but wherefore I know not— lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours.
Página 201 - Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?
Página 38 - Sometimes it lieth in pat allusion to a known story, or in seasonable application of a trivial saying, or in forging an apposite tale : sometimes it playeth in words and phrases, taking advantage from the ambiguity of their sense, or the affinity of their sound.
Página 555 - A play read affects the mind like a play acted. It is therefore evident that the action is not supposed to be real; and it follows that between the acts a longer or shorter time may be allowed to pass, and that no more account of space or duration is to be taken by the auditor of a drama...
Página 89 - We are alarmed into reflection ; our minds (as it has long since been observed) are purified by terror and pity; our weak unthinking pride is humbled, under the dispensations of a mysterious wisdom. Some tears might be drawn from me, if such a spectacle were exhibited on the stage. I should be truly ashamed of finding in myself that superficial, theatric sense of painted distress, whilst I could exult over it in real life.
Página 65 - Angels and ministers of grace defend us! Be thou a spirit of health, or goblin damn'd, Bring with thee airs from heaven, or blasts from hell, Be thy intents wicked, or charitable, Thou com'st in such a questionable shape, That I will speak to thee...
Página 38 - ... an objection : sometimes it is couched in a bold scheme of speech, in a tart irony, in a lusty hyperbole, in a startling metaphor, in a plausible reconciling of contradictions, or in acute nonsense: sometimes a scenical representation of persons or things, a counterfeit speech, a mimical look or gesture passeth for it.
Página 38 - ... from a lucky hitting upon what is strange ; sometimes from a crafty wresting obvious matter to the purpose. Often it consisteth in one knows not what, and springeth up one can hardly tell how. Its ways are unaccountable, and inexplicable ; being answerable to the numberless rovings of fancy, and windings of language.