Gilded Mansions: Grand Architecture and High SocietyW. W. Norton & Company, 2009 - 383 páginas The Gilded Age (1865-1918) saw the sudden rise of America's first High Society, including such prominent families as the Astors, Whitneys, and Vanderbilts. As an aristocracy based on fortunes recently acquired, these families endeavored to live like Europe's blue-blooded nobility, shedding Puritan restraint as they joyously flaunted their new wealth--especially where their homes were concerned. They erected French chateaus and Italian palazzos on New York's Fifth Avenue, at Newport, and elsewhere, often taking inspiration from Parisian styles of the Second Empire. They rejected more modest American styles just as they rejected middle-class society, and for interior decoration they turned to such artisans as Tiffany, Herter Brothers, and Allard's of Paris. Immensely readable and illuminated with 250 stunning color and black-and-white illustrations, this is the fascinating story of America's first millionaire society, the way they lived and partied, and the lush artistic and cultural legacy they established. |
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... EUROPE , AND ARISTOCRACY : The Empire of the Parvenu 19 Chapter 2. THE EARLY MANSIONS - Part One 33 53 81 Chapter 3. THE EARLY MANSIONS - Part Two Chapter 4. THE Commodore anD BEETLEHEAD : The William Henry Vanderbilt Mansion Chapter 5 ...
... EUROPE , AND ARISTOCRACY : The Empire of the Parvenu 19 Chapter 2. THE EARLY MANSIONS - Part One 33 53 81 Chapter 3. THE EARLY MANSIONS - Part Two Chapter 4. THE Commodore anD BEETLEHEAD : The William Henry Vanderbilt Mansion Chapter 5 ...
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Índice
AN INTRODUCTION TO THE GILDED AGE | 7 |
The Empire of the Parvenu | 19 |
THE EARLY MANSIONSPart One | 33 |
THE EARLY MANSIONSPart Two | 53 |
The William Henry Vanderbilt Mansion | 81 |
A Petit Château on Fifth Avenue | 107 |
THE Cornelius VANDERBILT II MANSION | 129 |
Vernacular versus Grandeur | 151 |
The Villard Houses | 239 |
Collector Dealer and Interior Decorator | 257 |
THE WILLIAM C WHITNEY HOUSES | 275 |
Rosecliff Crossways and The Elms | 291 |
THE PROGENY OF the Petit Château and the VILLARD HOUSES | 309 |
FACADES in the Modern French MANNER | 337 |
Endnotes | 362 |
371 | |
Biltmore and The Rothschild Factor | 185 |
THE ASTOR MANSION | 207 |
Origins of the Firm and the Early Work at Newport | 227 |
Acknowledgments | 374 |
375 | |
Palavras e frases frequentes
Aesthetic Alva American architect Architectural Record aristocracy art gallery Avery ball ballroom beautiful Beaux-Arts became Belmont Biltmore bought brownstone building Caroline Astor carved ceiling century Charles collection Consuelo Cornelius Vanderbilt Cornelius Vanderbilt II corner cornice daughter dealer decorative dining room drawing room Duveen Edith Wharton Elizabeth Drexel Lehr erected European facade Farge Fifth Avenue figure fireplace floor France French furniture George Gilded Age Gould grand guests hall Herter Brothers interiors Italian James King Lehr Knickerbocker Library Louis mansion Marble House married McKim Mead and White Metropolitan Museum millionaires Museum of Art Newport County paintings palace palazzo paneling Paris Parisian Petit Château portrait Preservation Society Railroad Renaissance residence rich Richard Morris Hunt Rosecliff Saint-Gaudens salon Schermerhorn Sloane social Society of Newport Stanford White Street style SW Papers tapestries Vanderbilt house Villard Houses walls wealth Whitney wife William Henry Vanderbilt William Kissam Vanderbilt York City