Heinrich Heine and the LiedCambridge University Press, 06/12/2007 - 378 páginas More than any other poet, Heinrich Heine has provided composers for almost two hundred years with texts for music: more than eight thousand compositions to date. Nineteenth-century composers were drawn in particular to a limited selection of Heine's early lyrical works from the Buch der Lieder and the Neue Gedichte for their songs; poems such as 'Du bist wie eine Blume', 'The sea hath its pearls' and 'Was will die einsame Träne' were set to music over and over again. In this book, Youens examines some of the reasons for Heine's popularity, especially the fact that composers in the second quarter of the nineteenth century were drawn to him for songs in radical styles, songs that redefined what Lied could be and do. Specific topics of this book include Schubert's fusion of reinvented song traditions with radical tonal procedures and the political meanings of poetry and song in Schumann's time. |
Índice
Secção 1_ | 40 |
Secção 2_ | 41 |
Secção 3_ | 42 |
Secção 4_ | 89 |
Secção 5_ | 91 |
Secção 6_ | 134 |
Secção 7_ | 135 |
Secção 8_ | 158 |
Secção 13_ | 229 |
Secção 14_ | 240 |
Secção 15_ | 243 |
Secção 16_ | 255 |
Secção 17_ | 258 |
Secção 18_ | 259 |
Secção 19_ | 260 |
Secção 20_ | 265 |
Secção 9_ | 174 |
Secção 10_ | 180 |
Secção 11_ | 207 |
Secção 12_ | 227 |
Secção 21_ | 266 |
Secção 22_ | 283 |
Secção 23_ | 287 |
Secção 24_ | 304 |
Outras edições - Ver tudo
Palavras e frases frequentes
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